By Robin Kaye
The day before yesterday I read a seemingly technically perfect book, and after I turned off my Kindle, I wondered at my feeling of dissatisfaction. The book was fine. Don’t you just hate that word—fine? There was nothing wrong with the book I read—believe me, I looked for it.
Now don’t get me wrong, I don’t read books to find fault. I read to find joy, to escape, to be grabbed by the throat with no choice but to finish a fabulous book in one sitting. I want to find myself day dreaming or talking about the characters long after I morn reading the End. I live to read books like that.
It’s been two days since I read that technically perfect yet somehow soulless book. I no longer remember the hero and heroine’s names, the title, or even the author, but the memory of feeling dissatisfied remains quite clear and still haunts me. Obviously my dissatisfaction was not as forgettable as the book. I feel horrible for the poor, nameless author who, I’m sure with all the best intentions in the world, spent three to six months of her life pouring her heart into a book that for some reason, and I do hope it’s only in my opinion, remained completely forgettable.
I’ve tried to put my finger on why some books are technically perfect, seem to have nothing wrong with them, and somehow fail to have anything right with them either. What ingredient is missing? How can I be sure, as an author, that I never produce a technically perfect, yet utterly forgettable book?
Yesterday I drove to Harrisburg to see my daughter dance in a ballet. Throughout the entire two-hour drive, my mind kept rolling over the problem of dissatisfaction with the book I could no longer recall the title to. I decided I needed to go back into my kindle, find the book I’d forgotten, and take another look at it. I sat in my box seat at the theater before the show and instead of reading the playbill; I was searching through my Kindle. Just then, the lights went down, music filled the room, and the curtain went up.
Now my daughter’s dance school is not the typical “Dolly Dinkle” neighborhood ballet school. No, hers is arguably the best pre-professional ballet school in the country. Their ballets are like a professional ballet only with shorter dancers. I’m always amazed by the performances. So when the curtains open and the stage is filled with the little ones or barn babies as they call them, you’re still going to see something awe inspiring. Now, I don’t know about you, but I think there’s nothing cuter than little ballerinas and little boy dancers in beautiful costumes lined up on the stage in perfect fifth position, just waiting for their cue to move and show you what they’ve learned all year. These kids vibrated with energy, excitement, and passion. My eyes immediately went to a little dark-haired girl. I didn’t know her; I don’t think she was any more proficient in the dance than any other of the twenty kids on stage. But for some reason, I couldn’t keep my eyes off her. I tried to watch the others, really I did. I tried to figure out the difference between this little dark-haired girl and everyone else. What did she posses that the other kids lacked? The only things I could come up with were presence, passion, and a spark of magic.
I was terribly disappointed because it’s not as if presence, passion, and magic are sold in the spice aisle of the grocery store. They are as indefinable as they are precious. I wondered if it was something you can learn, does it come with practice or experience? But then looking at this five or six year-old little dark-haired girl, I don’t see how since these were babies after all. Still, I watched looking for the secret.
All night I studied the most amazing ballets with incredibly talented dancers. I realized that some of the dances could be thought of as synchronized swimming minus the water and in tights rather than a Speedo. I didn’t notice one mistake, but I noticed those who shined and those who, while technically perfect, did not.
My fear grew; perhaps the magic was something you are born with and could not learn. Maybe it’s a gift. And then I saw her—this redheaded dancer I’ve watched for the last three years. I realized early on that she was a technically perfect ballerina and she’s been in many, many of the company’s performances. Over the years I’ve marveled at her lack of that special something and honestly wondered why she was so sought after and in so many dances. This girl who never seemed to have the magic before came on stage and stole the ballet. It was as if she learned the secret. Last night she didn’t dance, she floated, she soared, and she transcended everyone else on that stage with her—many of whom had the magic too, just not as much as the redhead did. It was her night to shine and she outshone all the other stars that graced the heavens with her.
Me, I blinked back tears of relief. Whatever that magic is, the redhead who had lacked it for the last three year finally found it and in transcending the others around her, she gave me hope that I could somehow find it too.
I hope that redheaded ballerina could point me in the direction of magic. I’d love to hear the secret. Anyone willing to give me a hint?